no one can hear you
tobias kwan is wicked good at drawings
available november 25
Bottle Cap Bike
via thebicycleisart
Fish biking in Williamsburg
We Are All Part of the Same Thing
Thread and nail poster, designed by Australian artist Dominique Falla.
via weandthecolor
![this artist included Mary Lou’s Coffee in her portrait series!
thedailywhat:
Art Project of the Day: Susan Jane Belton’s branded coffee cup oil paintings.
Susan Jane Belton continues her consuming interest in logo-emblazoned, take-out coffee cups by lovingly rendering studio portraits of these contemporary icons.
[doobybrain.]](http://26.media.tumblr.com/tumblr_l726pzKYg11qzpwi0o1_500.jpg)
this artist included Mary Lou’s Coffee in her portrait series!
Art Project of the Day: Susan Jane Belton’s branded coffee cup oil paintings.
Susan Jane Belton continues her consuming interest in logo-emblazoned, take-out coffee cups by lovingly rendering studio portraits of these contemporary icons.
[doobybrain.]
Hand-cut paper and wood sculptures
by Jen Stark
Une guerre de post-it en plein cœur de Paris
fantastic
BAMF of the Day: Roongrojna Sangwongprisarn, creator of the Alien-Predator Motorcyle (this is the same artist who built the Megatron Tank, in case you forgot)
Tweenbots by Kacie Kinzer:
Given their extreme vulnerability, the vastness of city space, the dangers posed by traffic, suspicion of terrorism, and the possibility that no one would be interested in helping a lost little robot, I initially conceived the Tweenbots as disposable creatures which were more likely to struggle and die in the city than to reach their destination. Because I built them with minimal technology, I had no way of tracking the Tweenbot’s progress, and so I set out on the first test with a video camera hidden in my purse. I placed the Tweenbot down on the sidewalk, and walked far enough away that I would not be observed as the Tweenbot––a smiling 10-inch tall cardboard missionary––bumped along towards his inevitable fate.
The results were unexpected. Over the course of the following months, throughout numerous missions, the Tweenbots were successful in rolling from their start point to their far-away destination assisted only by strangers. Every time the robot got caught under a park bench, ground futilely against a curb, or became trapped in a pothole, some passerby would always rescue it and send it toward its goal. Never once was a Tweenbot lost or damaged. Often, people would ignore the instructions to aim the Tweenbot in the “right” direction, if that direction meant sending the robot into a perilous situation. One man turned the robot back in the direction from which it had just come, saying out loud to the Tweenbot, “You can’t go that way, it’s toward the road.”
The Tweenbot’s unexpected presence in the city created an unfolding narrative that spoke not simply to the vastness of city space and to the journey of a human-assisted robot, but also to the power of a simple technological object to create a complex network powered by human intelligence and asynchronous interactions. But of more interest to me, was the fact that this ad-hoc crowdsourcing was driven primarily by human empathy for an anthropomorphized object. The journey the Tweenbots take each time they are released in the city becomes a story of people’s willingness to engage with a creature that mirrors human characteristics of vulnerability, of being lost, and of having intention without the means of achieving its goal alone. As each encounter with a helpful pedestrian takes the robot one step closer to attaining it’s destination, the significance of our random discoveries and individual actions accumulates into a story about a vast space made small by an even smaller robot.
“You can’t go that way, it’s toward the road.”
This is beyond adorable.
(via notanemergency)
